  tyuleneva-em-vestnik-ksu-2024-4.pdf |
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- AESTHETIC CONCEPT OF BORIS DYSHLENKO
- Tyuleneva Е.М. Aesthetic concept of Boris Dyshlenko. Vestnik of Kostroma State University, 2024, vol. 30, no. 4, pp. 94–100 (In Russ.). https://doi.org/10.34216/1998-0817-2024-30-4-94-100
- DOI: https://doi.org/10.34216/1998-0817-2024-30-4-94-100
- УДК: 821.161.1.09”20”
- EDN: DMGWFR
- Publish date: 2024-11-12
- Annotation: The article examines the aesthetic ideas of Boris Dyshlenko that shape his approach to text and his authorial poetics. Boris Dyshlenko’s essays, speeches and interviews are analysed with using works of art from different periods of his career to illustrate theses. The article characterises the connection between Boris Dyshlenko’s conceptual principles and general humanitarian tendencies of the last quarter of the 20th century; we define the range of aesthetic and ideological influences, including the inner circle of influences (taking into account the long-term intellectual cocreation of Boris Dyshlenko with his elder brother Yuriy Dyshlenko), and we identify a set of aesthetic concepts that allow us describing Boris Dyshlenko’s specific writing methodology (threshold optics, pictorial/plastic thinking, “image of image”, grammar and morphology of image, ornamentality, suspense, reader tension). The conclusion is made about the formation by Boris Dyshlenko of an aesthetically homogeneous supertext, based on the ideas of “capturing the becoming object” as the main task of the text; “threshold” as a narrative principle of text organisation; “image of image” as a mechanism for creating text space.
- Keywords: Boris Dyshlenko, aesthetic concept, threshold optics, pictorial thinking, plastic thinking, “image of image”, ornamentality, suspense, reader tension.
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